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BOOK

Chinese Art Since 1970, The M+ Sigg Collection Pi Li, Suhanya Raffel, Uli Sigg, Isabella Tam, Chris Dercon, Hans Ulrich Obrist, Karen Smith, Fei Dawei, Hou Hanru, Peggy Wang, Alexandra Munroe, Johnson Chang Tsong-zung, Geremie R. Barme, Philipp Tinari, Wu Hung, Barbara London, Julia F. Andrews, Mami Kataoka,2021, Thames & Hudson,London, United Kingdom, M+, West Kowloon Cultural District, Hong Kong, ISBN: 978-0-500-02434-8
- 2021 - page 28

Ai Weiwei, Histoire d'une arrestation
Barnaby Martin, 2016, Globe, l'ecole des loisirs, Paris, France, ISBN: 978-2-211-22388-1 - 2016 -

Ai Weiwei, Spatial Matters, Art Architecture and Activism
Ai Weiwei, Anthony Pins, 2014, The MIT Press, Cambridge, Massachussetts, ISBN: 978-0-262-52574-9 - 2014 - page 17

Ai Weiwei
Cristina Carrillo de Albornoz Fisac, 2014, Assouline, New York, United States, ISBN: 978-1614281917 - 2014 - page 15

Hanging Man - La vita, le opere e l'arresto di Ai Weiwei
Barnaby Martin, 2013, il Saggiatore, Milano, Italy, ISBN: 978-884281842-7 - 2013 -

Hanging Man - The Arrest of Ai Weiwei
Barnaby Martin, 2013, Faber and Faber Limited, London, United Kingdom, ISBN: 978-0-571-28046-9 - 2013 -

Three Shadows Photography Art Centre: Annual Report 2013
- 2013 - pages 10 and 17

Ai Weiwei Reader - 艾未未読本
Yoichi Maki, 2012, Shukousha, Fukuoka, Japan, ISBN: 978-4-904213-14-8 - 2012 - page 329

Ai Weiwei: New York 1983-1993
Stephanie Tung, John Tancock, Christophe Mao, Mao Weidong, 2010, Three Shadows Press Limited, Beijing, China - 2010 - page 49

EXHIBITION CATALOG

Ai Weiwei: Everything is art. Everything is politics (2019, Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany)
Susanne Gaensheimer, Hans Ulrich Obrist, Falk Wolf, Friederike Sigler, Rembert Husser, Doris Krystof, Linda Walther, 2019,Prestel, Munich, London, New York, ISBN: 978-3-7913-5906-9) - 2019 - page 224

Ai Weiwei: Fan-Tan (2018, Mucem, Marseille, France)
Jean François Chougnet, Judith Benhamou-Huet, Patrick Boulanger, Hans Ulrich Obrist, Emilie Girard, Emmanuel Lincot, 2018, Manuella Editions, Paris, ISBN: 978-2-917217-99-3 - 2018 - page 20

MAM Research 005: Laboratory for Chinese Contemporary Photography, Three Shadows Photography Art Centre (2017, Mori Art Museum, Tokyo, Japan)
- 2017 - pages 31 and 32

Ai Weiwei: Libero (2016, Fondazione Palazzon Strozzin Firenze, Italy)
Arturo Galansino, Tim Marlow, Hans Ulrich Obrist, Ludovica Sebregondi, Karen Smith, 2016, Giunti Editore, Firenze, Italy, ISBN: 978-88-09-83765-2 - 2016 - page 195

Ai Wewei: translocation - transformation (2016, Belvedere, Vienna, Austria)
2016, ISBN: 978-3-903114-09-8, No. 2 - 2016 - front cover and page 16

Ai Weiwei (2015, Galleria Continua, Tang Contemporary Art, Beijing, China)
Federica Beltrame, Manuela Lietti, Cui Cancan - 2015 - page 131

Ai Weiwei (2015, Royal Academy of Arts, London, United Kingdom)
Tim Marlow, John Tancock, Daniel Rosbottom, Adrian Locke, 2015, Royal Academy of Arts, London, United Kingdom, ISBN: 978-1-910350-16-4 - 2015 - page 69

Ai Weiwei - Evidence (Martin-Gropius-Bau, Berlin, Germany)
Thomas Eller, Wulf Herzogenrath, Uta Rahman-Steinert, Klaas Ruitenbeek, 2014, Prestel,Unich, Germany, ISBN: 978-3-7913-5392-0 - 2014 - page 55

Ai Weiwei - According to What? (2012, Hirshhorn Museum and Sculpture Garden, Washington, DC, United States; 2013, Indianapolis Museum of Art, Indianapolis, Indiana, United States; 2013, Art Gallery of Ontario, Toronto, Ontario, Canada; 2013, Pérez Art Museum Miami, Miami, Florida, United States; 2014, Brooklin Museum, Brooklin, New York, United States)
Mami Kataoka, Charles Merewether, Kerry Brougher, Ai Weiwei, 2012, Hirshhorn Museum and Sculpture Garden, Wahington, DC, United States; Mori Art Museum, Tokyo, Japan; DelMonico Books - Prestel, Munich London New York, ISBN: 978-3-7913-5240-4 - 2013 - page 46

Ai Weiwei - According to What? (2012, Hirshhorn Museum and Sculpture Garden, Washington DC, United States; 2013, Indianapolis Museum of Art, Indianapolis, Indiana, United States; 2013, Art Gallery of Ontario, Toronto, Canada; Pérez Art Museum Miami, Miami, United States; 2014, Brooklin Museum, New York, United States) (couverture souple)
Richard Koshalek, Fumio Nanjo, Mami Kataoka, Charles Merewether, Kerry Brougher, 2012, Prestel, ISBN: 978-3-7913-6443-8 - 2012 - page 46

Ai Weiwei in New York 1983-1993 (2011, Martin-Gropius-Bau, Berlin, Germany)
John Tancock, Stephanie H. Tung, Alison Klayman, 2011, Distanz Verlag, Germany, ISBN: 978-3-942405-50-8 - 2011 - back cover and page 67

Ways Beyond Art - Ai Weiwei (2009, Ivorypress Art + Books, Madrid, Spain)
Elena Ochoa Foster, Hans Ulrich Obrist, Uli Sigg, 2009, Ivory Press, London, Madrid, ISBN: 978-0-9559613-2-8 - 2009 - page 87

Ai Weiwei - So Sorry (2009, Haus der Kunst, Munich, Germany)
Mark Siemons, Ai Weiwei, Chris Dercon, Julienne Lorz, 2009, Prestel, Munich, Berlin, London, New York,ISBN: 978-3-7913-5014-1 - 2009 - page 63

Ai Weiwei - According to what? (2009, Mori Art Museum, Tokyo, Japan)
Kataoka Mami, Charles Merewether, Matsubara Hironori, 2009, Mori Art Museum, Tokyo, Japan, ISBN: 978-4-473-03594-3 - 2009 - page 73

Ai Weiwei: New York Photographs 1983-1993 (2009, Three Shadows Photography Art Center, Beijing, China)
Stephanie H. Tung - 2009 - page 5

MAGAZINE

Yishu - Journal of Contemporary Chinese Art, 2020, September-December, Volume 19, Number 5/6
- 2020 - page 167

Artedossier, 2016, October, No. 336, Italy
- 2016 - page 11

Yishu - Journal of Contemporary Chinese Art, 2009, September-October, Volume 8, Number 5
- 2009 - Front cover and page 101


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